xy feet apart builds dialog between unanimated objects. The artist takes on the role of the performer by interfering with the natural order of found objects. By altering the distances between them and pinning them to new coordinates of an imaginary web, their compositional value is transformed. Blurring the line between the audience and the artist, production and presentation, the core of the artwork is its formation itself. Focusing on the process rather than the result, xy feet apart transports art work from back to front stage. The artwork’s final result, albeit not its goal, is a series of three dimensional short stories.